Entry tags:
Love is my legs, and you are my love, so you are my legs my love!
Who: Aña Corazon, Clint Barton, Billy Kaplan, Claire Belacqua, and assorted friends. (and assassins)
Where: Various places in LA
When: Throughout the musical plot
What: Due to RL shenanigans, the mun has opted to make a catch-all post for either summaries or threading of any planned musical plot interactions.
Warnings: ...lots of ridiculous romantic singing?
[If we have planned an interaction, you may ask me for a starter or post one yourself. If you'd like to run into someone, feel free to ask.]
Where: Various places in LA
When: Throughout the musical plot
What: Due to RL shenanigans, the mun has opted to make a catch-all post for either summaries or threading of any planned musical plot interactions.
Warnings: ...lots of ridiculous romantic singing?
[If we have planned an interaction, you may ask me for a starter or post one yourself. If you'd like to run into someone, feel free to ask.]
no subject
Oh God. He's singing. And he's singing at her.
She flushes bright red, glancing quickly around to check if anyone else is hearing this - and it doesn't seem like they are, all of the other agents going about their business as if nothing is happening - before she looks back to Clint.
"Yeah," she mutters under her breath, thankfully not caught up in the song the way Clint seems to be. "That sounds like a good idea."
Alcohol doesn't affect her, but this is one of those days where she really wishes it would.
no subject
He has another verse to sing, in his slightly rough but not actually that bad voice, hands shoved in his pockets.
"You would think that we've danced around each other long enough to know
Where to stand.
And my heart stops in a panic when I think how it would feel to finally hold your hand.
So we wait for this to happen,
Or make it happen now.
Either way I think that we should start off with a drink, maybe two;
It'd be nice to go out drinking with you."
no subject
Which... from a certain perspective, maybe, she kind of is. Please no one point that out to Clint. Ever.
A block behind them, maybe a little more, a red-headed woman casually falls in behind them, following their path. A few stray chords slip in under the background noise of Clint's song, a second song not quite at odds with Clint's but no part of it either.